Bibliography

Patricio Guzmán, dir., Nostalgia de la luz (Pyramide Films, 2010).

Rummery, Kirstein, and Michael Fine . "Care: A Critical Review of Theory, Policy and Practice." Social Policy & Administration 46. no. 3: 2012. 321-343.

Rashid, Marilynn. "What’s not in a name" Food for Our Grandmothers: Writings by Arab-American and Arab-Canadian Feminists. ed. Joanna Kadi. 197-203. Boston: South End Press, 1991.

Piepzna-Samarasinha,, Leah Lakshmi. Bodymap. Toronto: Mawenzi House Publishers Ltd., 2015.

Sweet Honey in the Rock. “Breaths.” Recorded 1988. Track 1 on Good News. Universal Music News. Compact disk.

Guzmán, Patricio. Nostalgia for the Light. Performed by Gaspar Galaz, Lautaro Núñez, Luís Henríquez. 2010. USA: Icarus Films, 2011. Documentary.

Kadi, Joanna. Food for Our Grandmothers: Writings y Arab-American and Arab-Canadian Feminists. Boston: South End Press, 1991.

Ruedi Gerber, Breath Made Visible: Anna Halprin, performed by Anna Halprin, Lawrence Halprin, Merce Cunningham (2009; USA: Argot Films, 2010), Documentary.

Wijsman, Katinka. "Food and Feminism: How the Feminist Tradition helped to shape the Academic Study of Food." ma_diss., University of Amsterdam, 2010.

Wijsman, Katinka. Food and Feminism: How the Feminist Tradition helped to shape the Academic Study of Food.. Amsterdam: University of Amsterdam, 2010.

Vosters, Helene ".." Accessed 26 Jan 2016. atacamadesert.wordpress.com.

"Foreword". Foreword Flowers in the Desert: The Search for Chilé’s Disappeared / Flores en el desierto : la bâusqueda de los desaparecidos de Chile. by Allen Paula. vi-ix. Gainesville, Fl: University Press of Florida, 2013.

Verdugo, Patricia. "The Tragedy of Calama" Flowers in the Desert: The Search for Chilé’s Disappeared / Flores en el desierto la bâusqueda de los desaparecidos de Chile. x-xvii. Gainesville, Fl: University Press of Florida, 2013.

Martinez, Monica Mercedes, and Monica Mercedes Martinez. "As we See Ourselves, so Shall we be Seen: Identity and the Artist’s Practice." ma_diss., University of Manitoba, 2012.

Heidegger, Martin. Insight Into That Which Is: Bremen Lecture 1949. trans. Andrew J Mitchell. Indiana: Bloomington and Indianapolis, 2012.

Martinez, Monica Mercedes. As we See Ourselves, so Shall we be Seen: Identity and the Artist’s Practice. MFA  Thesis. University of Manitoba,  2012, https://mspace.lib.umanitoba.ca/handle/1993/8471. Accessed 5 February  2017.

National Commission for Truth and Reconciliation "Report of the Chilean National Commission for Truth and Reconciliation (English Translation)." Accessed 30 Apr 2024. Indiana. https://www.usip.org/publications/1990/05/truth-commission-chile-90.

Wright, Thomas C. "Legacy of Dictatorship: Works on the Chilean Diaspora." Latin American Research Review 30. no. 3: 1995. Accessed 30 Apr 1995.

Our group of writers and artists also included Doris Difarnecio, a Colombian born theatre artist now based in Mexico, one of the five members of the CONSTELACIONES collective. CONSTELACIONES raised funds to bring the Monica’s ceramic bones to Chile and to undertake the journey from Santiago to Calama, and invited artists and writers to join them as witnesses.

Adam Bernstein, “Sergio Arellano Stark, driver of the ‘Caravan of Death’ under Pinochet, dies at 94,” The Washington Post, March 10, 2016. https://www.washingtonpost.com/world/the_americas/sergio-arellano-stark-driver-of-the-caravan-of-death-under-pinochet-dies-at-94/2016/03/10/ad7bdd32-e6d5-11e5-b0fd-073d5930a7b7_story.html?utm_term=.37c2ad4851d8, accessed September 10, 2017.

shalson, Lara. "On Duration and Multiplicity." Performance Research 17. no. 5: 2012. 98-106.

Shalson, Lara. "On Duration and Multiplicity." Performance Research 5. no. 17: 2012. 98-106.

Ibid

We are drawing on Diana Taylor’s theorization in Disappearing Acts of percepticide as a process in which a national population blinds itself to state violence.

Black, Jaime. “Jaime Black Artist Talk.” Presentation at WGS-3500-001 Special Topics: Art and Resistance, University of Winnipeg, MB, January 23, 2017.

McQuade,, John, and Hall Miriam. "Looking and Seeing: Nalanda Miksang Contemplative Photography" .. 51. New York: Drala Publishing, 2015.

John McQuade and Miriam Hall, Looking and Seeing: Nalanda Miksang Contemplative Photography (Createspace Independent Pub., 2015), 51.

Jay, Martin. "The Noblest of the Senses: vision from Plato to Descartes" Martin Jay, Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought.. 23. Berkeley: Berkeley University of California Press,, 1994.

Tuer, Dot. "Ghostly Traces and the Memories of Passage: The Journey to the Atacama Desert and the Ritual of Return" Return Atacama: Engaging histories of political violence through performance and durational witnessing. 1. New York: HemiPress, 2018. http://returnatacama.tome.press/chapter/ghostly-traces-and-the-memories-of-passage-the-journey-to-the-atacama-desert-and-the-ritual-of-return/.

Guzman, Patricio. Lautaro Núñez in Nostalgia de la Luz/ Nostalgia for the Light. Brooklyn, NY: Icarus Films, 2010.

Taylor, Diana. Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's "Dirty War". Durham, NC: Duke University Press, 1997.

Taylor, Diana. "Seeing from a Distance: CONSTELACIONES in the Atacama Desert" Return Atacama: Engaging histories of political violence through performance and durational witnessing. Durational Witness. New York: HemiPress, 2018. http://returnatacama.tome.press/chapter/seeing-from-a-distance-constelaciones-in-the-atacama-desert/.

Zurita, Raúl. Song for His Disappeared Love/Canto a Su Amor Desaparecido. trans. Daniel Borzutzky. Notre Dame: Action Books,N.p. Print, 2010.

Zurita, Raúl. Acclaimed Chilean Poet. Blue Flower Arts: A Literary Speakers Agency, 2012.

Franklin, Jonathan. "Chilean army admits 120 thrown into sea." Guardian News and Media, Accessed https://www.theguardian.com/world/2001/jan/09/chile.pinochet.

Guzmán,, Patricio. dir. Nostalgia del la luz. Pyramide Films: DVD-ROM., 2010.

Verdugo, Patricia. Chile, Pinochet, and the Caravan of Death. Miami: North-South Center Press: University of Miami, 2001.

Monica Mercedes Martinez. everyone is fallen-in process 5, 2012, photo credit: Gurpreet Sehra

Bernstein, Adam. "Sergio Arellano Stark, driver of the ‘Caravan of Death’ under Pinochet, dies at 94." The Washington Post 1. 2016. Accessed 10 Mar 2016.

https://www.google.com/search?ie=ut&q=disappearance%2C+definition Web. 1 Sep 2018.

Benjamin, Walter. "A page of Benjamin's manuscript from Convolute N" The Arcades Project. 461. New York: Belknap Press,, 2002.

Villarreal, Roberto González. "Ayotzinapa: La rabia y la esperanza" Ayotzinapa: La rabia y la esperanza. 140; 143. Mexico: Editorial Terracotta, 2015.

Plato. The Republic. Ancient Greece: Plato, 381.

Halprin, Lawrence. The RSVP Cycles: Creative Processes in the Human Environment. New York: George Braziller, Inc, 1969.

Worth, Libby, and Helen Poyner. Anna Halprin. New York: Routledge, 2004.

Allen, Paula. Flowers in the Desert: The Search for Chilé’s Disappeared. Gainesville, Fl: University Press of Florida, 2013.

Rebecca, Schneider. "Protest Now and Again." TDR: The Drama Review 54:2 206. 2010. Accessed 1 Jan 1970.

In Mexico, some 200,000 people have been murdered and 30,000 to 120,000 or so disappeared in the broader war against drugs that President Felipe Calderón inaugurated in 2006.Rafael Mora in A Sub National Analysis of Homicides and Disappearances in Mexico reports that“Between 2007 and 2014 138,589 people were murdered in Mexico (SNSP). JUSTICE IN MEXICO WORKING PAPER SERIES, Volume 14, Number 3, February 2016, https://justiceinmexico.org/wpcontent/uploads/2016/03/sub_national_analysis_of_homicides_and_disappearances_in_mexico_rafaelmora-final.pdf The same report cites that “Though, Movimiento Migrante Mesoamericano, a Central American non-profit that advocates for migrant rights in North America, claims that 70,000 to 120,000 Central American foreign migrants disappeared in Mexico between 2006 and 2012 ("Comunicado De La X Caravana")”the numbers cannot be accurately calculated due to faulty data bases (p. 4). 2017, the deadliest in twenty years, has surpassed the number of homicides and disappearances. “Mexico murder rate reaches record high.”Al Jazeera, June 22, 2017, http://www.aljazeera.com/news/2017/06/mexico-murder-rate-reaches-record-high-170622052056456.html. See too David Agren, “Mexico's monthly murder rate reaches 20-year high.”The Guardian, June 21, 2017.

Hirsch, Marianne. The Generation of Postmemory. New York: Columbia University Press, 2012.

Taylor, Diana. Villa Grimaldi. New York: HemiPress, 2017.

Weil, Simone. Gravity and Grace. trans. Emma Crawford. London and New York: Routledge, 2002.

Weil, Simone. "Attention and Will" Gravity and Grace. 117. London and New York: Routledge, 2002.

Weil, Simone. "Letter IV: Spiritual Autobiography" Waiting for God. 62. New York: HarperCollins Perennial Classics Publishers, 2001.

See Diana Taylor, “Seeing from a Distance: CONSTELACIONES in the Atacama Desert” in this collection.

Ahmed, Sara. The Cultural Politics of Emotion. Edinburgh:: Edinburgh University Press, 2014.

Worth, Libby and Helen Poyner. Anna Halprin. New York: Routledge. 2004.

3. Diana Taylor provides an extended mediation on the site in her online book, Villa Grimaldi published by HemiPress’ (the Hemispheric Institute of Performance and Politics in the Americas) Gesture series. Posted at http://villagrimaldi.typefold.com

Halprin, Lawrence. The RSVP Cycles: Creative Processes in the Human Environment. New York: George Braziller, Inc. 1969.

Peter Kornbluh, “Chile and the United States: Declassified Documents Relating to the Military Coup, September 11, 1973,” National Security Archive Electronic Briefing Book No. 8, https://nsarchive2.gwu.edu/NSAEBB/NSAEBB8/nsaebb8i.htm.

Supriyo Chatterjee, “The Day Chile and the Rest of Latin America Remember as Their 9/11,” The Wire, September 11, 2015, https://thewire.in/world/the-day-chileans-and-the-rest-of-latin-america-remember-their-911.

See Sara Ahmed, The Cultural Politics of Emotion (Edinburgh: Edinburgh University Press, 2004). Ahmed draws attention to the way trauma discourse uses a vocabulary of pain that focuses attention on the injured bodies in a way that simultaneously conceals the “presence or ‘work’ of other bodies” (21). Ahmed’s provocation is that emotions circulate as part of a broad affective economy, one that both presupposes and reaches beyond perpetrator(s) and victim(s), and one that is an integral, though often unreflected upon, component of the political economies that constitute social relations of power.

Lara Shalson, “On Duration and Multiplicity,” Performance Research 17, no. 5 (2012), 100.

Simone Weil, "Attention and Will," Gravity and Grace, translated Emma Crawford and Mario von der Ruhr (London and New York: Routledge, 2002).

We are drawing on Diana Taylor’s theorization of percepticide as a process in which a national population blinds itself to state violence. See Diana Taylor, Disappearing Acts: Spectacles of Gender and Nationalism in Argentina’s ‘Dirty War’ (Durham: Duke University Press, 1997).

Raúl Zurita, "Song for His Disappeared Love/Canto a Su Amor Desaparecido," translated by Daniel Borzutzky (Notre Dame: Action Books, 2010).

Patricio Guzmán, dir., Nostalgia de la luz (Pyramide Films, 2010).

Patricio Guzmán, dir., Nostalgia de la luz (Pyramide Films, 2010).

Martin Heidegger, “Insight Into That Which Is: Bremen Lecture 1949,” in Bremen and Freiberg Lectures: Insight Into That Which is and Basic Principles of Thinking, translated by Andrew J. Mitchell (Bloomington and Indianapolis, 2012), 16.

Simone Weil, "Attention and Will," Gravity and Grace, translated Emma Crawford and Mario von der Ruhr (London and New York: Routledge, 2002).

Walter Benjamin, The Arcades Project, translated by Howard Eiland and Kevin McLaughlin (Cambridge, MA: Harvard University Press, 2002), 461.

[1] Martin Heidegger, “Insight Into That Which Is: Bremen Lecture 1949,” Bremen and Freiberg Lectures. Insight Into That Which is and Basic Principles of Thinking, trans. Andrew J. Mitchell (Bloomington and Indianapolis, 2012), 16.

[1] Lawrence Halprin, The RSVP Cycles: Creative Processes in the Human Environment (New York: George Braziller, Inc. 1969).

[1] Patricio Guzmán, dir., Nostalgia for the Light [Nostalgia de la Luz] (Icarus Films, 2011).

[1] Jaime Black, “Jaime Black: Artist Talk,” presentation at WGS-3500-001, Special Topics: Art and

Resistance, University of Winnipeg, MB, January 23, 2017.

[1] Peggy Phelan, Mourning Sex: Performing Public Memories (Routledge, 1997).

[1] Corine Kumar, “South Wind: Towards a New Political Imaginary.” in Dialogue and Difference, edited by M. Waller and S. Marcos (Palgrave Macmillan, New York, 2005), 165 – 199.

[2] Doris Dana, ed., The Immigrant Jew: Selected Poems of Gabriela Mistral (Baltimore: The Johns Hopkins Press, 1971), 135.

[2] (Guzmán

[2] Halprin, 2.

[2] Heidegger, 20.

[2] Monica Mercedes Martinez, As We See Ourselves, So Shall We Be Seen: Identity and the Artist’s Practice, MA Thesis (University of Manitoba, 2012), 2.

[3] Libby Worth and Helen Poyner. Anna Halprin (New York: Routledge. 2004), 179.

[3] Paula Allen, et al., Flowers in the Desert: The Search for Chile’s Disappeared [Flores en el desierto: la bâusqueda de los desaparecidos de Chile], 2nd ed. (Gainesville: University Press of Florida, 2013).

[3] Heidegger, 46.

[3] Patricia Verdugo, Chile, Pinochet, and the Caravan of Death (Miami: North-South Center Press, 2001), 133-151.

[3] Ibid., 8

[4] For an English translation of the poem, see https://allpoetry.com/Chile-Stadium Accessed September 10, 2017.

[4] Rebecca Schneider, “Performance Remains,” Performance Research: A Journal of the Performance Arts, 6, no. 2 (2001): 102.

[4] Allen, 90.

[4] Heidegger, 19.

[4] Halprin, 4.

[5] Worth and Poyner, 72 – 72.

[5] Allen.

[5] Heidegger, 54.

[5] Diana Taylor, Disappearing Acts: Spectacles of Gender and Nationalism in Argentina’s “Dirty War,” (Durham: Duke University Press, 1997), 25.

[6] Isabel Allende, “Foreword,” in Allen, viii.

[6] Heidegger, 21.

[6] CONSTELACIONES (Rowen Crowe, Doris Difarnecio, Christina Hajjar, Monica Martinez, and Helene Vosters), www.returnatacama.com. Accessed 1 Aug. 2017.

[7] Patricia Verdugo, “The Tragedy of Calama,” in Allen, xii.

[7] Jill Bennett, Practical Aesthetics: Events, Affects and Art After 9/11 (London: I.B.Tauris, 2012), 79.

[7] CONSTELACIONES, “Echoes: North…North,” Return Atacama (New York: HemiPress, 2018), https://returnatacama.com/performance/echoes-north-north.

[8]  (Armesto et al. 184-5)

[9] Allen, 20.

[9] Lizbeth Goodman, “Feminisms and theatres: canon fodder and cultural change,” in Analysing Performance: A Critical Reader, edited by Patrick Campbell, Manchester: Manchester University Press, 1996), 271.

[10] Allen 14; 138.

[10] Rancière, 17.

[11] Maurice Blanchot, The Writing of the Disaster, translated by Ann Smock. Lincoln: University of Nebraska Press, 1995).

[11] Allen 12; 134.

[12] Jill Bennett 2005, Empathic Vision: Affect, Trauma, and Contemporary Art. Palo Alto: Stanford University Press, 2005), 10.

[12] Kirstein Rummery and Michael Fine, “Care: A Critical Review of Theory, Policy and Practice,” Social Policy & Administration, 46, no. 3 (2012): 323, doi: 10.1111/j.1467-9515.2012.00845.x.

[13] Bryoni Trezise, Performing Feeling in Cultures of Memory. Basingstoke: Palgrave MacMillan 2014), 152.

[13] Allende, viii.

[14] Monica Mercedes Martinez, As we See Ourselves, so Shall We be Seen: Identity and the Artist’s Practice, MFA Thesis (Winnepeg: University of Manitoba, 2012), https://mspace.lib.umanitoba.ca/handle/1993/8471, 14.

[14] Jacques Derrida and Anna Dufourmantelle, Of Hospitality: Anne Dufourmantelle invites Jacques Derrida to respond, translated by Rachel Bowlby (Palo Alto, Stanford University Press, 2000), 73.

[15] Giorgio Agamben, Remnants of Auschwitz: The Witness and the Archive, translated by Daniel Heller-Roazen (New York: Zone Books, 1999), 34.

[15] Martinez, 3.

[16] Jacques Derrida, The Work of Mourning, edited by Pascale-Anne Brault and Michael Naas (Chicago: University of Chicago Press, 2001)

[16] Martinez 9; Thomas C Wright, “Legacy of Dictatorship: Works on the Chilean Diaspora,” Latin American Research Review, 30, no. 3 (1995): 198-9, jstor.org/stable/2503987.

[17] Carl Lavery, “Mourning Walk” and “Mourning Walk and Pedestrian Performance: History, Aesthetics and Ethics, ” Walking, Writing and Performance: Autobiographical Texts by Deirdre Heddon, Carl Lavery and Phil Smith, edited by Roberta Mock, (Bristol: Intellect, 2009).

[17] Martinez, 15-16.

[18] Martinez, 13.

[18] Sigmund Freud, “On Transience (1916)” in The Standard Edition of the Complete Psychological Works of Sigmund Freud, translated and edited by James Strachey, vol. XIV (London: Hogarth Press, 1953-1974).

[19] Tim Etchells, Certain Fragments: Contemporary Performance and Forced Entertainment (London: Routledge, 1999), 17.

[19] Martinez 13.

[20] Martinez 10-11.

[20] Adrian Heathfield, “Then Again,” in Perform, Repeat, Record: Live Art in History, edited by Amelia Jones and Adrian Heathfield (Bristol: Intellect, 2012), 29.

[21] Allen, 42.

[22] Allen 64 – 66.

[23] National Commission for Truth and Reconciliation, “Report of the Chilean National

Commission for Truth and Reconciliation (English Translation),”United States Institute of

Peace, https://www.usip.org/publications/1990/05/truth-commission-chile-90, 173.

[24] Martinez, 10 – 11.

[8] Jacques Rancière, The Emancipated Spectator, translated by Gregory Elliott (New York: Verso, [2009] 2011), 5.